Prelude: Solace

Credit: textravler.com

 

By M. A. Alvarez II

Thus begins a new chapter.  A new age; a dream to come. A distant reality. There is much to do and much to see with this light shining so brightly as one looks into the past.

It’s impossible to forget the journey up to this. If I even started to recall the first memory within this place; this valley beneath a river called San Marcos. It was here that I became the person who I am today. It drove me away from a darker state and bestowed onto me a sort of confidence I had never known. Over time it took hold and made me stronger and firmer. I had felt my heart harden. Even as the strife of life and quarrels of my past broke my spirit. I found my way; somehow.

It’s hard to say when my transition started. I was so different before, but I can admit something was concrete. I had found solace in music. I remember the piano on the first floor of my dormitory at Gaillardia. Upon many nights, I remember sitting there playing with the keys, thinking of melodies past. It’s true. I was no one before I came to Texas State. No one important as it seemed. I barely knew what I was doing myself. Simply one could say I was a blank slate, predisposed by a past I wanted to forget.

But music changed my life. Before it was merely a means to focus and to bring words to paper as I am sure it is doing now as I write this. But it wasn’t until I found myself here, that I truly began to appreciate it. I was no longer bounded by the inhibitions of where I came from. My newfound freedom drew on a different part of myself, one that had gone unnoticed.

Eventually I developed a new relationship with music. It became a friend; comfort when in need. I even came to even realize that my writing alone could not be without it. Music was the driving force that brought life to my words. It was music that enticed them to flow from my mind.

My independence and perseverance in San Marcos has molded me and made me resilient because of that. Music drew me to people, places, and the times of my life. With each new memory, time had granted me wisdom. All within the light of night, within the solace of music’s serene sound. I have felt myself grow, from Sagewood to Copper. West to East and even in the heart of the city itself at Sanctuary. I have become one with this town and it has birthed a purpose in me. I have learned what I must do. I won’t fight my fate or test my faith. I’ll aspire to be all that I desire to be. All that is meant to be; to never settle. This is what I will seek; the American Dream.

 

 

 

 

A Short Pros: America Divided

Photo Credit: http://www.athleticbusiness.com/

 

I’ve never seen the country as divided as I do now. Even though it seems as if everyone is fighting for tolerance, I feel as if it’s making life in America all the more intolerable. We need to come together and realize that an individual’s actions should not reflect the character of an entire Union. It’s not helping the situation or reversing issues such as racism. If anything it’s creating more of it within both white and black communities.

Come on people. Stop, think, and listen to yourselves. Love one another and stop the hate. For the sake of our country and for what it’s suppose to stand for. No matter what. We are ALL Americans. And that my friends, is all that should matter. The country will change only if the people within it work together with the system we have, because let’s face it and be realistic. It won’t change overnight. We must work together and cooperate with one another. Think about it.

How many Americans sit by and do nothing? How many Americans don’t vote and then go on to complain about the policies being passed by lawmakers they idly sat by and watched get elected? We live in a DEMOCRACY where voices matter, yet so many don’t exercise that simple right. Especially when many of our ancestors fought and died for that right. It’s about time we put our voices to use and promote the greater good instead of tear down each other and our society. Even if we stand divided in our beliefs we are two sides of the same coin. Don’t fight each other. Fight the immorality that has corrupted the ideals that once made our proud nation the land of the free, indivisible, with liberty and justice for all people. End the corruption by not being corrupted.

We should not stand against oppression with violence and hate. Not on either side. That won’t solve our problems. A DEMOCRACY is a reflection of its people’s values and with all that is going on in our society, I don’t see a nation oppressed by its government or any civil union. In 2016, America has become a nation where it’s people prosecute and oppress their own people. Let’s not look to the past and look to the now. Because if we don’t wholeheartedly try to grasp the issues within the community itself, America will end as Rome did; as a democracy deteriorated from the inside out. Stand together Americans. Use your free voice to promote something positive. Stop pointing the finger and start cooperating with one another so that we as a nation can find the solutions to our problems here in the United States of America.

#unitedwestand

Dallas Winter Festivities: Lights All Night 2014

It has been awhile. I stumbled upon this as I revisited this manifesto, with a head filled with new memories and stories untold. Since then I have returned to Dallas for another year of Lights All Night and reading this evokes an urge within me, as if I’m compelled to finish my story so that I can tell the next. Looking upon this cascade of words, one unfinished and with no end, I wonder if it is time for the Nocturne Manifesto to be revived.

By M. A. Alvarez II

The holiday’s holds something special in Dallas, Texas. Once a year, in the heart of winter; the city, like a haze, so modern and obsolete thrives as music enthusiasts like myself gather in downtown Dallas for what could well be the best weekend of their lives. Quiet days turn into nights within worlds of sounds; so gripping as many of the world’s top DJs and Producers display dimensions of light for fans to observe while bathing them in music. The Lights All Night music festival has become a hallmark of Dallas nightlife for the past five years, being one of the most sought out New Years Eve events in Texas.

Its not hard to understand really. I mean, look at the city in itself. Its golden. The city offers up among the highest quality of living you can ask for. Anything you desired could be yours. All you had to do was look for it. At least, that’s what it was like for me.

The anticipation of the festival itself brought upon a strange anxiety as I had my mind focused on the words. “A festival in a new city…”. This would be my first time in Dallas. I had no expectation of not fully experiencing the city. I spent much time wondering of what it would be like. Coming into downtown Dallas, it looked as if the roads were winding and being sucked into the city. It was a remarkable sight, especially during the winter, where the clouds hang so deep into the skyscrapers, they melt into fog.

Close to festival, sitting at the center of downtown Dallas, The Sheraton was a prime location for festival goers to gather and be among like-minded people. The festival drew a crowd of true music lovers. During my stay at the Sheraton, I met people just as eager as I was for what could be the nights of our lives. My stay would be from inside a realm of luxury. The Executive Suite, brought on a new intensity within those first moments. As I walked in I couldn’t help but feel that my time in Dallas, or perhaps my life, couldn’t get any better. We stood high over looking the city, our domain. It was perfect. Optimum service, the perfect spot, a brand-new city, and tickets to the event of the year. How could anyone turn away from one of the best experiences Texas has to offer?

My friend and I had drinks at the hotel bar and discussed what our plan would be going into this festival. We were able to speak with some of the hotel guests, most of which would also be attending the festival later that night.

“Look for the guy in the banana suit.” One guest exclaimed, clasping glasses with us as we celebrated. My winter holiday was underway, among a setting that fit my vision of bliss. A beautiful setting, diverse people, and a deep appreciation of music. It was at that moment, quick and heavy that I felt ice and fire rise from beneath the core of my chest; the buzz, the rush, that anxious excitement as I thought of the line-up. Everyone was so eager to discover what everyone else would be hearing. Seven Lions was at the top of my list followed by Armin Van Buuren, who would be closing the festivities the second day. I also looked forward to seeing Zedd and Skrillex once again, both of which performed at ACL this past October. I would also be seeing Audien and Zed’s Dead for what would be my third time. There was so much to lookout for. Something bright to look forward to. Could Lights All Night truly live up to its name?

Walking to the festival was a breeze, despite the chill that hovered in the air. As we walked among the streets of the city, beneath towers of glass and stone, you were either wondering what existed past the walls of the Dallas Convention Center or if you had gone in past years were anxious to be back. The lights along the skyscrapers reflected upon the droplets within the air, emitting an orange glow among the streets. We eventually approached the Dallas Convention Center which was breathing in and out with people ready to rave. Costume cladded, everyone had their sights set on something; their vision.

After trailing through security and approaching the doors I could already hear the bass, beating through the air, powerful and alluring. It only made your blood rush more than it already was. Entering I was surprised to see how large it was. The center stage was massive, colorful, emitting lasers as fans crowded towards it. The Mothership was directly ahead, with the drop a ways to the left, beneath a flight of stairs. Both stages were stocked with their own beer garden. I could count at a dozen bars positioned in perfect view of the stage.

As far as electronic dance music festivals go, Lights All Night sets a standard. Artist played simultaneously. No matter where you were, you were listening to something. Something good.

 

 

Spring Reminiscence: The Ultimate Music Experience 2015

From within the crowd. UME 2014.

 

By M. A. Alvarez II

Spring Break 2014; still fresh in my mind. I can recall the glimmer of sparkling flames as they trickled from bursts of gigantic lights within the violet sky. The smell of sulfur had fallen and dissipated among the melody as bass pulsed through a massive crowd within the Schlitterbaun Water Park on South Padre Island. Boasting as the Ultimate Music Experience, this spring time festival featured a stage at the center of a massive park, with a line-up that offered only the best in electronic dance music. Being able to experience it this past Spring Break was a dream come true. I was able to see many of my favorite artists, crossing their names from my infamous must-see bucket list as well as bask in the leisure and paradise that was South Padre with my best friends.

Last years line up consisted of many must see DJs and Producers. The first night featured sets by Carnage, Pegboard Nerds, who delivered a stylized remix of Adventure Club’s “Wonder”, Dyro, and the legendary Tiesto. Each set offered up unique visuals that brought the most out of the DJ’s distinct sounds. Second day performances were bass heavy, with sets by Keys N Krates, Zed’s Dead, Bassnectre, and Paper Diamond. And with the third day topping it off with DJ Snake, Brazzabelle, Sandro Silva, and finally Zedd, it was almost hard to believe that UME could offer such an intense lineup. Every name was a big one. Each set was a must hear. UME had taken the most out of its setting and brought together music-lovers for an event worthy of being called the Ultimate Music Experience. UME 2014 opened my eyes to a completely new world of music, a world with standards and expectations. I realized then, that a life of music was the life for me. A life that sought to bring the most out of what I perceived and experienced. I would only seek greatness from then on, with aspirations of writing about what mesmerized my spirit and mind.

The announcement of the 2015 headliners ironically would fall on my birthday, and with deep anticipation, I waited patiently to hear who would grace the stage this year. If I were to return, who is it that I would be seeing? Who would top the year before if I decided to venture forth and recreate the experience I had almost a year ago? There was so much to hope for, but not enough to drive myself to visit the island once again as I seek to experience something new.

Headliners this year include the renowned David Guetta, Hardwell, and UME veteran and legend Tiesto, with Steve Aoki returning to perform for the UME’s official pre-party the day before the festival. UME has again set its sights on uniting some of the greatest names in EDM. With the return of Tiesto and Steve Aoki, it is safe to say that crowds will be drawn, and with the additions of David Guetta and Hardwell especially, this show will absolutely offer up a Spring Break experience worth living.

However, I feel as if the UME, in its attempt to be the ultimate musical experience, has yet to offer up that extra touch that will separate it from other festivals of its kind or from what it was in the past. Though these headliners are world renowned, its as if the Ultimate Music Experience hasn’t changed much from what it was last year. The sounds remain consistent, but doesn’t offer up much diversity. Half the headliners this year, played last year and though Hardwell and David Guetta are welcomed additions, I feel they don’t offer up as much of a spectrum of sounds as Bassnectre and Zedd did as headliners last Spring. This is a festival I might sit out from as I seek out something new to experience this Spring Break. It feels as if the only purpose in going would be to recreate what I had done last year instead of something better. However, there is always the possibility that I am speaking too soon. The rest of the line-up has yet to be announced and by judging from the captivating sights and sounds of the festival last year, there may be promise in the line-up soon to come. The headliners may not impress me, but who is to know who might show up on the list next. I suppose I will have to wait and see before I finalize my plans for the upcoming Spring. Stay tuned.

Click here for more information on the Ultimate Music Experience…

2015 Grammy Nominations Special Feature: Audien

Follow Audien on Twitter Photo Credit: twitter.com/audien

 

By M. A. Alvarez II

With the announcement of the 2015 Grammy Nominations, many have come to ponder the question of who is the greatest artists. The Grammy’s have contributed to music for ages, defining decades as it awarded the largest names across all music platforms, inducting many into a lifetime of fame.

This year, Iggy Azalea, Taylor Swift, Megan Trainor, and Sam Smith are going head to head for “Record of the Year”. Iggy Azalea and Sam Smith are also up for Best New Artist, making their ascension towards “Record of the Year” phenomenal and at most impressive. So much more could be said if they actually won the Grammy.

However, the electronic music scene has been graced with numerous nominations, one of which I would like to personally acknowledge, especially during a time where EDM is becoming more prominent among music culture. Up to recieve the Grammy for “Best Remixed Recording” is none other than the majestic and alluring Audien. Among the many artist I love, Audien has a special place for being one of the most unique DJs/Producers to ever grace my ears, but also by being a person I find easy to relate to.

At 22, Audien has come from humble beginnings as he started producing music from an apartment in Mystic, Connecticut. In an interview where he showcased his distinct style, he described being heavily inspired to create music, being an active listener of Armin Van Buuren’s A State of Trance radio show. After listening to ASOT with his friends for sometime, he took the time to teach himself production and drew the ears of Flashover Recordings which would release his first single “Rise and Shine” in 2009.

Ever since he has been working hard touring and producing music, notably “Wayfarer”, “Iris”, “These are the Days” and “Leaving You”. His tracks have been featured across numerous radio shows, including Tiesto’s Club Life, Above and Beyond’s Trance Around the World, and even the show that inspired him, A State of Trance. His story is of a young man with a dream, one hell of an ear, and a lot of passion. He worked hard to produce popular hits such as “Cirlces” which featured Ruby Prophet and show favorite “Hindsight”. Each of these tracks offer up a sound that is uniquely Audien. Audien creates a cord driven melody which through the use of light instruments and gentle vocals, evokes a sense of optimism and grace within the mind; no matter whether your listening to big room, trance, or progressive house. He is able to transform tracks with his special touch, this style of uplifting rhythm, implementing his unique use of cords and alternating tempos into his sets.

I have had the honor to witness this genius in action twice this year, first seeing him at San Antonio’s Club Rio this past April, and again in at Houston’s Stereo Live in August. It seemed as if he couldn’t get any better the first time I saw him, but it was upon seeing him again that I realized that this guy was talented. He had that natural charisma in make something his own and overtime he has built on that. After seeing him in August, I could definitely see a change in his production since his last show in April. He put so much more into it. With the amount of new material he had created in the short time between shows, he was able to bring forth the best of the old with the best of what he new, delivering a set that genuinely wowed me. The light show had also grown and the show was more his own. Audien’s on a road to making the most out of himself, especially among an age where technology has made music so much better than it has ever been.

I’m very much excited to be seeing Audien once again this December for my third time at the Lights All Night Music Festival in Dallas, Texas. Among a festival setting, I can only imagine the type of force Audien will unleash, especially after witnessing his sets twice already this year. Hopefully his style continues to grow. It is truly unique. I’ve heard nothing like it. It is no surprise that he is up for the  “Best Remixed Recording” of the year. His unique style makes his remix of Bastille’s Pompeii unlike things most people would hear from other artists. It’s popularity among DJs was also evident at Miami’s Ultra Music Festival as it was named the most played track entirely.

Audien has come from humble beginnings, a common man among dreamers, who somehow brought his music to life. Audien’s style is undoubtedly different from what you can hear mainstream and surely if he wins this Grammy, he will go on in music history. Even if he doesn’t he will always be known to me and hopefully the entire electronic music community for years to come.

 

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Winter’s Coming: Light’s All Night

Photo Credit: https://twitter.com/lightsallnight

By M. A. Alvarez II

I usually try to meet a standard when it comes to going to live performances. Mostly, I shoot for a big festival once a season, and with the approaching winter, I’ve set my sights on heading to Dallas on December 26th and 27th for the Lights All Night Music Festival.

Annually, some of the biggest names in electronic music meet at the Dallas Convention Center for an unforgettable weekend that brings about the end of one year by setting high expectations for the next. This will be my first year at Lights All Night. Honestly, I’m ecstatic and have set my hopes really high. I’m sure I’m in for one hell of an experience with such a talented line-up.

Lights All Night this year will feature some of the greatest names in EDM. Skrillex and Zedd are headlining the first day. I have no doubt that they will be bringing it to this festival after the storm they conjured in Austin this past October at ACL. Zedd always has his game face on wherever he may be. After watching his sets at UME and ACL this year, I have nothing but love for his music. The same goes for Skrillex. His set at ACL was truly a storm of unimaginable, but most welcomed chaos . Armin Van Buuren and Disclosure are set to take the stage the second day and I can’t help but feel the anticipation rise as I fantasize about the having the chance to hear Armin Van Buuren play in person. He is one of the world’s best DJs and has contributed to the overall identity of electronic music. He’s legendary.

Lights All Night will be bringing together DJs across all platforms of EDM, including trance, progressive house, trap, and dubstep. DJ Snake, Zed’s Dead, The Chainsmokers, Boysnoize, 12th Planet, Seven Lions, and Chromeo are some of the hard hitters heading to Dallas this winter. This would mark my second time seeing Zed’s Dead and DJ Snake since last seeing them at the UME last Spring. Audien is set to make an appearance, making this the third time I would be seeing him this year! Audien’s success and ascension within the electronic music scene is astounding, but I’m not suprised. Audien is genuinely talented and incorporates a distinctive style that I am truly excited to witness among a festival setting.

Lights All Night 2014 is going to be huge. With so many great acts coming this winter, I’m positive that this year will be going out with a bang. I’m excited to see what these DJs have to offer and what Dallas will make of this musical experience.

Click here to learn more about the LAN Music Festival.

 

Listen To This: Pierce Fulton

Follow Piere Fulton on Twitter.
Photo Credit: twitter.com/piercefulton

By M. A. Alvarez II

Among the many artist among the Electronic Dance Music scene, I’d like to give a special shout out to Pierce Fulton, a talented emerging DJ from New England. This Progressive House artist offers up many great tracks that can shake any consciousness into a perception of unbreakable positivity. His unique sound touches many chords, ranging from soft tracks to epic ballads.

I discovered this artist while listening to one of the latest episodes of 3LAU Haus, which showcased one of Fulton’s newest singles “Kuaga”. This mellow and youthful track, fresh as it was, evoked a strange sense of harmony that was hard to pull away from. After listening, I searched the song and found that it was popular song among mixers who’ve attempted to match the subtle beat into Zedd’s remix of MAGIC!’s “Rude” and 3LAU’s “How You Love Me”. “Kuaga” was just the beginning of my journey. Eventually I would discover a sea of amazing tracks that would heighten my fascination with dance music, and garnish an admiration towards Fulton as my newest favorite DJ/Producer.

Eventually looking into Fulton’s older tracks I discovered a collaboration with Meor Levi, an epic progressive track that can’t help but bring upon an uprising, whether it be on the dance floor, at a gathering with your closest friends, or in the solitude of your own home. Listening to “Wanna Be” will motivate you towards reaching your peak potential in any situation. I found myself inspired by the track, imagining hearing it live in the midst of lights in the city. It was remarkable, touching, and ultimately motivating.

Pierce Fulton’s hit “Runaway” was number 1 on Billboard’s Twitter Trending 140 this past summer. A remix by Divergent and Fault in Our Stars actor Ansel Elgort, also known as Ansolo, contributed to the tracks popularity. This track’s use good vocals and a steady beat graces listeners with a more soft and laid back tune that eases away the worries and allows for more insightful reflective thinking.

Pierce Fulton not only produces a unique sound of his own but he attributes this positive, upbeat, and rhythmic style into his remixes. Fulton’s mix of Cash Cash’s hit “Surrender” caught my attention as soon as it was released in early November. Though he doesn’t stretch too far from the original, he definitely adds his touch, with a steady quick beat behind the vocals, adding mystical sounds that entrance the ear. This style would be followed with a remix of a song off Dillon Francis’ new album “When We Were Young”. Fulton is on a roll as he implements an array of diverse sounds and a creative touch to his mixes as well as a positive driven style as he produces, driving listeners into an atmosphere of infinite emotions and possibilities.

Pierce Fulton brings a new definition towards the word electric. Songs aren’t just electrifying but they are magnetic, pulling you into an ocean of possibilities. He has earned a place on my MUST SEE LIVE bucket list as well as a place as one of my favorite DJs/Producers. The euphoria brought on by his diverse range of music, from trance like tracks, to progressive ballads, and epic drops, Fulton is worth a play to every ear.

Survival and Revival: ACL 2014 Continued

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By M. A. Alvarez II

The Austin City Limits 2nd Weekend, despite the rain, had brought some of the most talented names in music together at Austin’s Zilker Park for an unforgettable celebration. The first two days, though rainy didn’t let festival goers down. Still full of an electrifying energy, the park was thriving by the time I arrived ready for the final day. I could even say it was possibly more jam packed than the day before.

My hopes were high, just where they should be. I wouldn’t be foolish enough to believe that ACL would disappoint me. Not after experiencing the last two years of the festival prior to this one. Also the days before were met with tremendous bliss I could never forget. After entering the gates, I met with my friend Tanner at the base of the Miller Lite stage where he and his brother Taylor were waiting for the glittering and funkadelic Gramatik to take the stage

The electric sound would dominate today as Gramatik would only be a prelude to EDM headliners Zedd and Calvin Harris. Gramatik’s soulful electric funk brought about a chill atmosphere as festival goers took to dancing in the mud created by rains earlier that morning. There was this carelessness about the air, as if worries were eliminated once you past the gates of Zilker Park. Especially among the jazz like beats of Gramatik’s set. There wasn’t a single worry. Not in that crowd at least.

I wouldn’t leave the Miller Lite stage anytime soon. After claiming dominion even closer to the stage, we would be in full view for electric rock duo Phantogram. The beautiful Sarah Barthel greeted Austin with her mesmerizing and sensual voice. Soon her voice would echo over the crowd, like a siren, hypnotizing and alluring, as she lead the crowd truly into a world of her own. With the help of guitarist Josh Carter and the use of her own keyboard, Barthel drew us in entrancing me as the lyrics of “Fall in Love” dripped into my ears. Phantogram would stay true to their name, altering reality with their music, and creating what seemed to be an illusion.

The final day was already off to an amazing start. The sky was now clear and a beautiful blue. The park was colorful and full of life and as I laid upon the park grounds listening to Spoon in the distance I could only feel the rise of playful laughter rise from within me as I looked around into a sea of smiles. ACL had succeeded in unifying generations and diverse groups of people and artists, and now here in the midst of their success we were drawing closer towards the end of yet another year of ACL.

After watching the end of Spoon’s performance at the Honda stage, my friends and I rushed back just in time to score a full view at Miller Lite. Zedd would be taking the stage in a matter of moments. I can remember the rhythm of my heart as I heard the rise of Zedd’s mix of MAGIC!’s “Rude” play. The lights and the fire erupted as a colorful projection drew my eyes towards the DJ. It looked as if the screen behind him was about to swallow him and take the crowd with him as it projected a vortex behind the barrage of lights that shot from the stage. The crowd was jumping. My emotions were flaring. As the crowd opened up I found myself pressing forward as Zedd proceeded to play his mix of Empires of the Sun’s “Alive” and Skrillex’s “Breaking a Sweat”. Zedd would also play fan favorites “Spectrum”, “Find You”, and “Fall into the Sky”.

Zedd would leave me energized. I could feel the adrenaline rushing through my body. I was almost startled by the affect the music had taken over me. It had filled me with a spark of intensifying emotion, I couldn’t help but shout among the crowd. But just as Zedd was ending his set, in the distance I heard an echo of something familiar. From the Honda stage, I could hear it, a song I sang to myself from time to time; “Under Control”. I screamed as I watched the crowd immediately break apart and dart for the Honda stage.

“Come on! Let’s go!” I shouted as we sprinted into the blue lights. Calvin Harris had opened with my favorite song. “Under Control” had a very special place in my heart and as soon as I found myself among the crowd I raised my voice, singing with spirit and passion, as the sound roared through the air. Calvin Harris considerably is one of my favorite artists and DJs and possibly my most anticipated act of the festival all together. To have the chance to experience his set live, among a festival setting was a remarkable and unforgettable moment in my life.

After listening to Calvin Harris play his hits “Summer” and “Thinking About You”, still filled with the incredible strength the music had fueled us with. We made our way across the park and to the Samsung Galaxy stage to catch the legendary Pearl Jam. Pearl Jam would tie up the loose ends of the festival, bringing the youth of music into the ways of the old, touching on generations past. I could feel the emotion still within me, hot and unyielding, but as I looked into the golden mirage of lights as the band played, I felt my body come to ease. I looked up and the sky had cleared and the spotlights had taken to the night sky, crossing and merging with one another as Pearl Jam played their cover of the Who’s “Baba O’Riley”.

It was then that it hit me. The purpose in all this. This festival was truly, as simple as it was, a celebration of music; new and old. It brought generations together. At one end of the park we had the youth basking in the energetic and uplifting electronic dance music of their generation only to meet with the generations before them at the very end. This was a unison of music and I would always remember that. Pearl Jam would close out the festival with none other than the United States National Anthem and after an epic guitar solo, we would begin our trek back to the gates, back to our homes, away from this wondrous place.

This would conclude my third year at ACL. Each time is always different, but somethings never change. Each artist always brings their heart to the playing field that is Zilker Park. Each sound perfect. Every cord is struck. There are no mistakes. No worries. ACL is a celebration of music, new and old; a unison of generations and genres, that bring people together. It is the very reason I was exposed to music and love it as I do, being the first live music event I had ever been to. ACL will always have a special place in my heart and though I said goodbye that day, I knew it wouldn’t be the last time I set foot on those grounds. Until next time ACL. Until next time.

 

ACL 2014: The Calling of Generations

Trombone Shorty & Orleans Avenue at the Honda Stage

By M. A. Alvarez II

Taking place annually in October, The Austin City Limits music festival can be considered one of the most highly anticipated festivals in the South, and by far to this day, it is my favorite music festival of all time. I have always loved music, but never fully appreciated it until I experienced it live for the first time at ACL in 2012. Now it is an on-going tradition of mine, to return here in October, to Zilker Park, to bask in and enjoy the sound of live music played by some of the largest names in music, from now and then, the young and the old. ACL unifies generations of people, music, and art; all to celebrate the joy it brings into our lives.

This being my third year, I already knew what to expect from the days I would spend in Austin over the course of ACL’s second weekend. Immediately upon entering the main threshold Saturday, I made my way to the bar for a refreshment and found the Honda Stage to catch part of Trombone Shorty & Orleans Avenue’s spiffy jazz performance.

ACL had drawn quite the crowd. Selling out completely for its second weekend, the park was filled with people. Rim to rim. Into Shorty’s performance, I was able to find my friend Tanner among the masses beneath the Honda Stage. Quickly, he directed me across the park to the Samsung Galaxy stage where the famed Rebelution was playing. Yes! As a fan of Reggae rock and Rebelution being one of my favorite bands of the genre along side Iration and the Expendables, I fed off the intense excitement Tanner put off as he and his brother ran towards the stage.

Rebelution delivers a solid performance, contributing to ACL with their mellow Reggae sound.

Despite the multitudes of people that surrounded us, we were able to ease our way into the crowd that Rebelution brought in with their mellow, laid-back, carefree sound. ACL was in full motion. I stared into the sky which was clouded due to the heavy rains earlier that morning. It didn’t matter though. Rain or shine, I was there; there like always. For the music, just as everyone was. It was hard not to feel the music as it filled the air.

Shortly after, I went with Tanner to meet his father who made set homage a distance away from the Galaxy Stage, some what midway between there and the RetailMeNot Stage. Tanner’s father, Mr. Howell, as I called him, was an ACL veteran, this year being his ninth. As a passionate and avid appreciator of music, Mr. Howell had created a tradition with his sons, instilling his love for music into them. This made me think of, being a lover of music myself, the dominion music held within our society. Music through the ages has been used as a powerful tool of self-expression. It has defined and influenced culture through the decades, attributing to history itself. I thought there among the excitement of it all that, ACL each year, in itself, was history. It told the story of the greatest names in music that year, but not without remembering the music before it, as it catered not only to the youth of the current generations, but the generations before it as well.

Texas State Flag among the crowd during Iggy Azalea’s performance at RetailMeNot Stage.

After a bit of socializing, the next stop on my list of must sees was the current hip hop sensation, Iggy Azalea. I’ve known about Iggy for a long time. I remember being first introduced to her music in high school, while I was still living in Houston years ago. Immediately upon listening to her songs “Pussy” and “Bounce”, as well as hearing word of her signing with rapper T.I.’s label, I knew she would soon rise to the top. It was no surprise to me to see her, join the ensemble of the already epic line-up. Her crowd was tight, and many could say with her popularity, she should of played on a larger stage, but her performance was phenomenal. Using a flight of metal stairs, lights, and a chorus of talented back-up singers and dancers, Iggy showcased her talent as she played familiar favorites along with her newest hits “Fancy” and “Black Widow”.

It seemed ACL had a little bit of something for everyone. From jazz, to reggae and even hip hop. The second day, delivered a broad spectrum of genres. Electronic DJs Major Lazer and Skrillex contributed to the dance music scenes with their light shows, using state of the art special effects to burn into memory the rhythmic beats of their sets. It came as a huge surprise when electronic dance star Diplo, made a special appearance along side Major Lazer providing extra hype to the crowd as the duo lead us into the night. Diplo’s unforgettable stunt within the gigantic hamster ball was a definitely a sight to see; one that I undoubtedly will remember for the rest of my life. Skrillex’s set was like a quake of thunder. The bass shook the terrain as “Cinema” played. Festival-goers danced outside a monumental crowd of jumpers who eagerly tried to get closer to the stage. His set would end with a tribute to Star Wars and leave everyone excited for more.

The festival became a glimmering gem as lights began to fill the sky. My favorite part of ACL had always been the nights there. As I looked up into the clouded sky, I watched dozens of spotlights hover over me, as if the park itself was trying to proclaim to the heavens the glory of what music attributed to life. I was at most awed, even as we walked towards the closing act that day at the Samsung Galaxy Stage. Eminem, a hip hop legend, a person I have known for the majority of my life through his music stood right before me; a mere distance from where I stood.

This is only the story of one day. The second day of ACL 2014. It would only be a precursor to what was to come the following day when my favorites Zedd and Calvin Harris would take their stages and give it their all to entertain those who appreciated their music so much. I was so blessed to return to Zilker Park this year. All I could think about at the end of my first day back, was of what I would get myself into the next day. The festival had been going on since Friday and it still wasn’t over. I would be there til the very end. Among the lights, the masses of people, and the waves of the best music the generations had to offer.

The ACL Music Festival beneath a clouded skyline.

“How You Love Me” and 3LAU’s San Marcos Takeover

3LAU lights up The Marc. San Marcos, Texas. Sept. 27th, 2014

By M. A. Alvarez II

The first time I heard “How You Love Me” was earlier this year while I was heading home out in the middle of south Texas from South Padre Island. Spring Break was nearing its end, but it felt as if the spirit of music been exercised from my body. Though UME, a festival branded “The Ultimate Music Experience” was over, my friends and I continued to jam out to the radio as we made our way back to school in San Marcos. “How You Love Me” was the first major single I heard by 3LAU (pronounced Blau), and it had captivated me the moment it popped up on the radio. I had no choice, but to look into this producer, this up and coming EDM artist with a ton of talent and a name to make for himself.

The Las Vegas Review-Journal called 3LAU “one of America’s fastest-rising DJs-Producers” and there is no question to why. After releasing many mash-ups and mixes, 3LAU gained recognition through Youtube and launched his own tour releasing one single before “How You Love Me”, but I don’t think the glory truly came until he released this epic track.

“How You Love Me” was destined to be a hit once it was released on March 18th, 2014. It garnished so much attention 3LAU became a household name. Even with only two singles under his belt at the time. The 23 year old was drawing ears. 3LAU was on his way to becoming a legend.

It came as a total shock hearing that 3LAU would becoming here to San Marcos, Texas; the home of my one-day alta mater. Immediately upon the show’s announcement, I snagged a ticket at an early bird price and began to prepare for the event that would take over the San Marcos Square in the coming weeks.

I was ready to capture the moment, this once and a lifetime opportunity to hear one of my favorite DJs among a familiar setting. This night would be one to share among my best friends. I had made my way to the Marc on September 27th, where immediately I was greeted by many of my close friends. All of which, were just as excited to catch a glimpse of what 3LAU had to offer during his live set. After passing through the front doors of the Marc, the bass quickly overtook me as Gamma, the Marc’s residential DJ, prepared everyone for what was to come with his opening set. Heavy with bass, it filled everyone with the much needed energy that would be required for what was to come.

I was able to make my way to the front of the stage. The light were bright as they spiraled downward towards the crowds that scurried to watch as 3LAU emerged onto the stage and so humbly picked up a mic and uttered the words “Welcome to 3LAU’s house.” The crowd went wild. I watched as the lights then began to flash. The screen behind him began to protect images of bright orange as camera light shuttered over 3LAU as he brought in the welcomed the crowd into the world of melodic progressive house. The bass hovered in the air. 3LAU’s set was hypnotic and energizing as he played his singles “Escape” and “How You Love Me”, he also mixed familiar songs such as Clean Bandit’s “Rather Be” into his set which balanced out his big-room house with a harmonious trance-like rhythm that allowed the crowd to move and dance.

The emotion within the music was evident. The passion 3LAU implemented into every song echoed through the venue. 3LAU is undoubtedly talented. This was clear as he prepared the audience for his closer, a look into his work and a chance to hear something not many had heard before.

3LAU brought to San Marcos and the students of Texas State University that night an experience that truly defined passion and talent. Though 3LAU, might lack the years of experience many DJs before him have, he definitely displays talent, charisma, passion, and a genuine love for what he does. This sense of hope, I find differentiates him from any other up and coming DJ. Through diligence, an unbreakable faith and love for music, this artist has truly created art and has established himself as a house hold name. I’m sure if you are a lover of music as I am, 3LAU is a name not many will forget in the times ahead. He is definitely around to stay. The music speaks for itself.