Trombone Shorty & Orleans Avenue at the Honda Stage
By M. A. Alvarez II
Taking place annually in October, The Austin City Limits music festival can be considered one of the most highly anticipated festivals in the South, and by far to this day, it is my favorite music festival of all time. I have always loved music, but never fully appreciated it until I experienced it live for the first time at ACL in 2012. Now it is an on-going tradition of mine, to return here in October, to Zilker Park, to bask in and enjoy the sound of live music played by some of the largest names in music, from now and then, the young and the old. ACL unifies generations of people, music, and art; all to celebrate the joy it brings into our lives.
This being my third year, I already knew what to expect from the days I would spend in Austin over the course of ACL’s second weekend. Immediately upon entering the main threshold Saturday, I made my way to the bar for a refreshment and found the Honda Stage to catch part of Trombone Shorty & Orleans Avenue’s spiffy jazz performance.
ACL had drawn quite the crowd. Selling out completely for its second weekend, the park was filled with people. Rim to rim. Into Shorty’s performance, I was able to find my friend Tanner among the masses beneath the Honda Stage. Quickly, he directed me across the park to the Samsung Galaxy stage where the famed Rebelution was playing. Yes! As a fan of Reggae rock and Rebelution being one of my favorite bands of the genre along side Iration and the Expendables, I fed off the intense excitement Tanner put off as he and his brother ran towards the stage.
Rebelution delivers a solid performance, contributing to ACL with their mellow Reggae sound.
Despite the multitudes of people that surrounded us, we were able to ease our way into the crowd that Rebelution brought in with their mellow, laid-back, carefree sound. ACL was in full motion. I stared into the sky which was clouded due to the heavy rains earlier that morning. It didn’t matter though. Rain or shine, I was there; there like always. For the music, just as everyone was. It was hard not to feel the music as it filled the air.
Shortly after, I went with Tanner to meet his father who made set homage a distance away from the Galaxy Stage, some what midway between there and the RetailMeNot Stage. Tanner’s father, Mr. Howell, as I called him, was an ACL veteran, this year being his ninth. As a passionate and avid appreciator of music, Mr. Howell had created a tradition with his sons, instilling his love for music into them. This made me think of, being a lover of music myself, the dominion music held within our society. Music through the ages has been used as a powerful tool of self-expression. It has defined and influenced culture through the decades, attributing to history itself. I thought there among the excitement of it all that, ACL each year, in itself, was history. It told the story of the greatest names in music that year, but not without remembering the music before it, as it catered not only to the youth of the current generations, but the generations before it as well.
Texas State Flag among the crowd during Iggy Azalea’s performance at RetailMeNot Stage.
After a bit of socializing, the next stop on my list of must sees was the current hip hop sensation, Iggy Azalea. I’ve known about Iggy for a long time. I remember being first introduced to her music in high school, while I was still living in Houston years ago. Immediately upon listening to her songs “Pussy” and “Bounce”, as well as hearing word of her signing with rapper T.I.’s label, I knew she would soon rise to the top. It was no surprise to me to see her, join the ensemble of the already epic line-up. Her crowd was tight, and many could say with her popularity, she should of played on a larger stage, but her performance was phenomenal. Using a flight of metal stairs, lights, and a chorus of talented back-up singers and dancers, Iggy showcased her talent as she played familiar favorites along with her newest hits “Fancy” and “Black Widow”.
It seemed ACL had a little bit of something for everyone. From jazz, to reggae and even hip hop. The second day, delivered a broad spectrum of genres. Electronic DJs Major Lazer and Skrillex contributed to the dance music scenes with their light shows, using state of the art special effects to burn into memory the rhythmic beats of their sets. It came as a huge surprise when electronic dance star Diplo, made a special appearance along side Major Lazer providing extra hype to the crowd as the duo lead us into the night. Diplo’s unforgettable stunt within the gigantic hamster ball was a definitely a sight to see; one that I undoubtedly will remember for the rest of my life. Skrillex’s set was like a quake of thunder. The bass shook the terrain as “Cinema” played. Festival-goers danced outside a monumental crowd of jumpers who eagerly tried to get closer to the stage. His set would end with a tribute to Star Wars and leave everyone excited for more.
The festival became a glimmering gem as lights began to fill the sky. My favorite part of ACL had always been the nights there. As I looked up into the clouded sky, I watched dozens of spotlights hover over me, as if the park itself was trying to proclaim to the heavens the glory of what music attributed to life. I was at most awed, even as we walked towards the closing act that day at the Samsung Galaxy Stage. Eminem, a hip hop legend, a person I have known for the majority of my life through his music stood right before me; a mere distance from where I stood.
This is only the story of one day. The second day of ACL 2014. It would only be a precursor to what was to come the following day when my favorites Zedd and Calvin Harris would take their stages and give it their all to entertain those who appreciated their music so much. I was so blessed to return to Zilker Park this year. All I could think about at the end of my first day back, was of what I would get myself into the next day. The festival had been going on since Friday and it still wasn’t over. I would be there til the very end. Among the lights, the masses of people, and the waves of the best music the generations had to offer.
The ACL Music Festival beneath a clouded skyline.
The Nocturne Manifesto 